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Yen is an a priori conlang which is mostly
agglutinative and somewhat isolating. It combines features from many languages:
- the way words are built from roots is
inspired by Afro-Asiatic (mainly Chadic)
languages such as Hausa, but also Amharic, Arabic and Berber-languages
- the serial verb constructions are heavily
influenced by West-African
languages such as Yoruba, Ewe, Twi and creole derivatives from the Caribbean from these languages
- the intention of the deictic system
is modelled after Armenian, it's shape
(infixes) are inspired by polysynthetic languages such as Quecha,
Turkish
and many Native American languages
- its phonology is designed after Bantu-languages such as Swahili and very minimalistic to regain optimal pronouncability
- the tonal structure (such as set patterns
that can spread out over an
entire word) behaves like East-African systems rather than the
more
contricting Chinese system which confines tonal patterns to one
syllable
- word order is based on creole languages and
very sensitive for topicalization
as found in Kwa-languanges and Mandarin Chinese
- the morphemes expressing mood and other
exclamations are inspired by such
words in Lojban, Zoinx and other conlangs
- the idea of the intensive form is the
result of merging the habitual as
found in Kwa-languages with repetitive, finitive and intensive
meaning
- the tense system is based upon Modern
Hebrew
Furthermore, I made an attempt to combine
phonological processes such as
tone, (pre)nasalization and other values with morphological
processes.
The roman script is based upon the principles of legibility and
recognizability.
The Yen
script itself is designed to express tone, interpunction and uppercase
without all those annoying diacretical symbols roman scripts force us
to use.
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